2018-2019 Scholars

Kelli R. Coles, University of DelawareKelli Coles  – Kelli successfully defended her dissertation in June 2023.  Kelli’s dissertation title is “Quotidian Resistance: Black American Girls, Their Embroideries, and the History of Education in the Northeastern United States,1789 – 1852.”  In Fall 2020, she began the second year of the UNIDEL Louise Roselle Graduate Research Assistantship at Winterthur Museum in the Textile Conservation Lab. She also continued in her role as Co-Chair of the Website and Digital Exhibits Committee for the Colored Conventions Project (CCP). In October 2020 Kelli presented her research, “Schoolgirl Embroideries and Black Girlhood in Antebellum Philadelphia” at the Textile Society of America’s Virtual Symposia, “Hidden Stories/Human Lives.” She has participated in 2 podcast interviews: the “Sew What?” podcast with Isabella Rosner, and the “Voices of Change” podcast with Alexander Ames. The latter podcast was conducted in conjunction with the Alice Dunbar Nelson exhibit, “I Am An American” at the Rosenbach Museum. Kelli served as an Advisory Committee Member for the Rosenbach Museum and the Alice Dunbar Nelson exhibit. During the Spring 2021 semester Kelli participated in a virtual conversation with former AAPHI scholar, Dr. Mali Collins, at the Mitchell Center of African American Heritage (Delaware Historical Society) at the invitation of Director Dr. Stephanie Lampkin, for Women’s History Month, to discuss Black motherhood and girlhood. Her talk was titled, “Black Girlhood and Motherhood Studies in the DHS Moseley Doll Collection.” Kelli was awarded the Catherine Flon Award by UD’s History Graduate Studies Committee to aid in continuing her research. In the summer of 2021, Kelli recieved the E. Lyman Stewart Exhibit Design Summer Internship at the Zwaanendael Museum where she conducted research and oral histories on the beaches of Delaware that were segregated and frequented by Black Delawareans and Black elite of the early 20th century. This work will include planning for a digital exhibit as well as for an exhibit within the museum in Lewes, DE.

 

 

 

Monet Timmons

Monet TimmonsMonet Timmons is a third year English PhD student and AAPHI scholar at the University of  Delaware. Her research interests include 19th and 20th century Black women’s literature,  examining Black women’s archives and personal papers. Monet has worked with Dr. Julie McGee on exhibition “David Driskell: Icons of Nature and History” where  she wrote the chronology and bibliography of Driskell’s life for the exhibition catalog. She worked with Dr. Jesse Erickson as a co-curator for “‘I Am An American!’: The Authorship and Activism of Alice Dunbar-Nelson” at the Rosenbach Museum in Philadelphia, PA. She is currently studying for her comprehensive exam which, when passed, will propel her to the PhD candidate phase. This summer, she will participate in the DELPHI Summer fellowship where her final project will include a webinar with other Black women scholars and curators committed to telling Black girls and women’s stories in public spaces.

UPDATE:

Monet Lewis-Timmons successfully defended her doctoral project, “‘My diary is going to be a valuable thing one of these days’: The Cross-Generational Lineage of Black Women’s Archives.” The committee, which includes Dr. Cheryl Hicks (Africana Studies/History), Dr. Jacinta Saffold (English), Dr. Jesse Erickson (Morgan Library), and myself, was impressed not only by Monet’s interdisciplinary scholarship in Black literary history and archival studies, but also by the novel design of her project, which included a deeply researched trio of dissertation chapters, an exhibition (still on view in the Special Collections gallery in Morris Library), and two public engagement events. Monet’s work is a model for public humanities work in literary studies.
Monet has already begun her postdoctoral work as an NEH Humanities Fellow for the “SNCC and Grassroots Organizing” project at the John Hope Franklin Humanities Institute at Duke University, where she will be coordinating a series of public events in 2024-2025 focused on the history of community organizing in the civil rights movement and its relevance to ongoing efforts to build a more just, inclusive, and sustainable society.